Release Year: 2013
Studio: Insex Archives
Genres: bondage bdsm torture rough pd enema 912 insexarchives
Tests 8 is the documentation of several inquiries into the female form, utilizing rope as the Inquisitor General. Each test is defined by rope, variations on a theme. By the end, it is clear how rope informs the body and how the body responds to rope, so that each test emerges as a discreet interaction between binding and flesh.
The first girl is dressed in a see-through top, tight black pants, and high heel platform shoes. She sits on a stool, her arms bound behind, her ankles bound crossed. But as she squirms on the stool, her young energies betray her. Shoes do not a woman make.
A bright red ball gag is pushed into her generous mouth. She is fondled and stroked. Her pants are pulled to her knees. When she’s placed on the floor, her right knee is bound forward to her chest, and the left ankle backward to her wrists. She appears to have been caught mid-stride. The position gives a clear view of her pussy. When she’s tickled, she giggles. Until a hand covers her mouth and nose.
Before long, she is naked, a pulley keeping her perched on those impossible heels. The ropes burrow into her flesh above and below her breasts. Her knees are separated by a spreader bar. Her ankles are bound together. She is in agony, f0rced to stand on those shoes. Perhaps at this point, she understands her mistake in wearing the heels. Clamps pull her labia wide, and she is tested at this point of entry. Afterward, she’s left to finish her saucy dance, balancing her weight on first one foot, then the next.
In the second test, though the body of the girl appears soft, the wraps are heavy, giving definition to wrists and waist. Her elbows are bound until touching in back. Toes, feet, and ankles are defined this way. Her plush breasts are confined by rope. Ropes form a hexagram over her heart.
The sleek, silvery body of the third test, as adorned by rope, appears contrapuntal. There is little excess. Her bound breasts are pressed further into her chest. Everything seems tempered except for her clitoris, pinched between two tight ropes, engorged after treatment from the eroscillator, and set off by her piercing.
In the final test, the rear knots of the Japanese cradle are so complex that they cascade down the back. In the front, the wraps highlight her breasts and collarbones. The crisscross of ropes about her ankles then looped down to her toes feels lush, an orgasm of rope. Here, the art of bondage is exemplified. The left leg is extended rearward, then the right leg extended also. The globes of her ass are taut. She appears to have been captured mid-air. She is taunted with the famous Mr. Pogo, then her legs brought forward as though she’s sitting, thighs opened wide. Her labia are loose, like fresh petals.
At this point, metal intrudes. Severity comes at last. But even here, rope is the master. The wraps about her forehead, eyes, mouth, and throat are simply the last loud echo of each wrap that went before. She is bound arm, thigh, knee, mid-calf, ankle, and toe. The details quiver in the eye.
She is introduced to Mr. Pogo and the eroscillator. But it is the shapes we remember. And the moans. And the bindings.
The faces are forgotten.
Original FileName: 20030705 – Tests 8
Video: 320×240, RV30